Diego DPL Content creator

Content creator · Murcia, Spain

Diego
DPL

Running, travel and the kind of stories you only tell after you have walked them.

Work with me Versión en español
Diego DPL shooting with a Super 8 camera on a clifftop
Diego DPL sitting in the doorway of an abandoned house in the mountains at sunset

01 — Who

I do not make content
about running.
I make content about not stopping.

I direct, shoot and edit everything myself. No crew, no agency in the middle — you talk to the person doing the work, and the piece you approve is the piece that ships.

I shoot what I know: empty roads, hard midday light, people who keep going after it stops being fun. Real grain, warm colour, nothing plastic. If the sweat is there, you see it.

I work with brands that understand an audience is not rented for one post. It is built the same way as everything else: by showing up again the next day.

Based in
Murcia, Spain
Disciplines
Direction · Photo · Edit
Languages
Spanish · English
Look
Documentary, film grain

02 — Work

Real frames, no production and no crew. This is what I can do and how it looks.

  • When it is done

    When it is done

    The minute after the last kilometre. Nobody films this one, and it is the only one that says anything true.

    • Backlight
    • Location portrait
  • Out of breath

    Out of breath

    Low angle against open sky. Good for technical apparel: the garment is worn and under real effort, not hanging in a studio.

    • Low angle
    • Product in use
  • The trail from above

    The trail from above

    Drone at dusk. The scale of the terrain and one small figure — the frame that turns an ordinary run into a story.

    • Drone
    • Landscape
  • When the wind drops

    When the wind drops

    Last light on flat water. The clean frame that opens a campaign, or lets a feed breathe between harder pieces.

    • Landscape
    • Golden hour
  • Blue hour

    Blue hour

    The twenty minutes before sunrise. Cold light, no hard shadows, and very few people willing to get up for it.

    • Blue hour
    • Tracking shot
  • Loose ground

    Loose ground

    Handheld, running behind. When a brand wants real movement instead of a pose, this is how it gets shot.

    • Handheld
    • Motion

03 — Audience

  • 0

    Community

    Instagram + TikTok

  • 0

    Views

    Last 30 days

  • 0 %

    Audience 25–44

    Core group

Who watches

  • Ages 25–34 57.5%
  • Ages 35–44 20.9%
  • Ages 18–24 9.2%
  • Other ages 12.4%

The numbers matter less than who is behind them. My community trains, travels and buys gear because they use it — not because they saw it scroll past.

Instagram Insights and TikTok Analytics · Updated quarterly

04 — Services

  • 01

    Branded content

    Vertical pieces for Instagram and TikTok in the documentary look that defines my feed. From the idea to the master, with nobody in between.

    • Concept and script
    • Shoot
    • Edit and colour
    • Delivery and copy
  • 02

    Campaign and direction

    When a brand needs more than a post: one idea strong enough to hold several pieces, and a visual language of its own.

    • Creative direction
    • Moodboard
    • Production
    • Multi-format delivery
  • 03

    Photography

    Product, portrait and landscape in natural light. Real grain, nothing plastic. Images that hold up on a billboard and in a feed.

    • Shoot
    • Selection and grade
    • Usage rights
    • Web and print formats
  • 04

    Ambassador

    A long relationship instead of a one-off hit. Continued presence, product genuinely integrated, and real numbers every month.

    • Quarterly plan
    • Recurring content
    • Events and races
    • Results report

05 — How I work

Few pieces. Made properly.

  1. We talk. What you want to say and who to. Half an hour is enough.
  2. I propose. Concept, references, formats and a fixed quote.
  3. We shoot. I handle everything. You approve once.
  4. I deliver. Master, verticals, stills and copy. With clear usage rights.
  5. We measure. A real report at thirty days. No decoration.

06 — Common questions

  • Who shoots and edits?

    I do. From the idea to the master: concept, shoot, edit and colour. No crew and no subcontractors, so you always speak to the person doing the work.

  • What does a collaboration cost?

    It depends on the scope — a single piece is not a campaign with several deliverables. Tell me what you need and I will send a fixed quote, with no extras halfway through.

  • Can we use the content in paid media?

    Yes, if we agree it beforehand. Usage rights are set out in writing in the quote: where it runs, for how long and in which formats. No grey areas.

  • Do you travel to shoot?

    Yes, and the further the better. I am based in Murcia but I work across Spain and abroad. Travel costs are itemised separately in the quote.

  • What do I get at the end?

    The horizontal master, vertical cuts for social, the selected stills and the caption copy. Ready to publish, not raw footage for somebody else to edit.

07 — Contact

Let's
start

Tell me what you want to say. I read everything and reply within 48 hours, even when the answer is that I am not the right person for it.